The Teleprompter iOS
The performance screen. Tap any song to open it.
The control bar
Bottom of the teleprompter
| Button | What it does |
| ✕ | Close (stops and offers to save a running recording) |
| ↺ | Restart from the top, re-runs the count-in and rewinds the track. Works mid-song without pausing first, and if you were paused it leaves you paused at the top rather than launching into the song. |
| ⏺ | Record a take, audio, video of you, or video of the audience |
| ▶ / ⏸ | Start and stop the scroll (the icon reflects your scroll mode) |
| ♩ | Metronome on/off, long-press to set the BPM (tap tempo included) |
| 🎹 | Fire this song’s MIDI now, long-press to edit its MIDI actions |
| ⊞ | Views: inline lyric editor, Apple Pencil tab canvas, or a tab image overlay |
| 🎵 | Audio source: Apple Music, backing track, or off |
| ⚙︎ | The settings panel (below) |
Three ways to scroll
First play → “How do you want to scroll?” · later: settings panel → Scroll
| Mode | How it moves |
| Voice Follow | QMe listens to you sing and follows, highlighting words green as you go. A floating pill shows the word it’s tracking. An Instrument Filter in settings tunes out guitar and band noise, it is on by default, and QMe remembers if you turn it off. |
| Auto Scroll | Smooth, constant-speed scrolling paced to the song’s BPM. The speed slider is a multiplier on the tempo, centre is exactly your BPM, right up to 2×, left down to a crawl. |
| Foot Pedal | The screen moves only when you say so, pedal, tap, or Apple Watch. |
When Apple Music or a backing track is armed, the audio drives the scroll instead, the lyrics can’t drift from the song. Your chosen mode is remembered; “Show scroll picker on next play” in settings brings the chooser back.
Playing in a band? Feed the iPad your vocal mic directly. On a full stage the iPad's own mic hears everything: drums, guitar, the room. For the best Voice Follow accuracy, take a dedicated aux send of the vocal mic from your mixer and run it straight into the iPad's audio input (a USB-C or Lightning audio interface does this). Keep that send dry, with no reverb or delay, and post-fader so it is only the singer. QMe then hears exactly one voice and follows it cleanly. If a direct feed is not possible, the Instrument Filter tunes out a good deal of band noise, and Auto Scroll or a pedal are the reliable fallback on very loud stages.
Voice Follow doing nothing at all? It needs two permissions, Microphone and Speech Recognition, and iOS asks for them separately, so it is easy to have one switched off. QMe now tells you which one is missing and offers to open Settings. You can also check it yourself in Settings → QMe Prompter.
End of the song: when the lyrics run out, QMe stops the scroll by itself rather than sitting there still marked as playing. Any backing track keeps going, so an outro is not cut off.
Instrumental intros and solos: mark the song once
Teleprompter → long-press a section on the right-hand rail while the track plays
Auto Scroll paces every line the same. That is fine until the song has an instrumental intro, where the lyrics start moving before anyone sings, or a solo, where they drift on through it. Marking the song fixes both, and you only have to do it once.
How to mark a song
- Open the song and link it to Apple Music, or attach a backing track. You only need this to mark it, not to play it later.
- Press play and let the track run.
- The moment each section starts, press and hold that section on the rail down the right-hand side of the screen. Hold the intro as the song begins, hold Verse 1 the moment the singing starts, hold the chorus when it lands, and so on.
- A mark appears on the rail for every section you have stamped. That is it, the marks save with the song and sync everywhere.
What happens next
A marked section stores the exact second it starts. From then on, QMe paces the song from those marks even with nothing playing. Hit play on a marked song with no track at all and the lyrics sit still through the intro, start moving the moment the first line is sung, and give the solo its real length instead of scrolling through it.
You do not have to mark every section. Two marks are enough to start. The Auto-fill button estimates the ones you have not stamped by spreading them across the song, and it never overwrites a mark you made yourself. Mark the ones that matter, the first sung line and anything with a long instrumental before it.
What this does not do: it follows the timing of the record, not the room. If the band pushes or drags on the night, the scroll keeps the record's pace, your foot pedal is still the override, and one stomp puts you back where you are. For a song you play at a very different tempo live, mark it while playing along at your tempo rather than to the original.
Starting fresh: clearing a song's marks puts it straight back to ordinary BPM scrolling. Nothing else about the song changes.
The settings panel
Teleprompter → ⚙︎
Scroll mode · scroll speed · pedal setup and per-action assignment · lines-per-stomp for iPad and glasses · instrument filter · tempo (40–240 BPM with mute) · Capo Calculator · count-in on/off and 4/8 beats · Transpose (−6…+6) · Text Size · Chords on/off · Sections on/off · Dark/Light mode.
Saved per song: transpose, text size, tempo, and scroll speed. Set them once on a song and they’re there every time you open it, on every device, you never re-dial a song you’ve already sorted out.
Sections hides the section rail down the right edge and gives the width back to your lyrics. It’s a preference, not a per-song setting, so it stays how you leave it.
Gestures on the lyrics
On the lyrics themselves
- Drag to move your place, the section rail follows your finger and wherever you let go becomes your position; auto-scroll continues from there. Tiny accidental brushes are ignored.
- Flick to throw the lyrics and let them coast, a hard flick travels further than a gentle one, exactly like any other list on iOS. Auto-scroll picks up from wherever it settles.
- Tap a line while playing to re-sync to it (voice follow picks up from there).
- Long-press a line for Touch Mode, then tap any line to jump precisely.
- Pinch to resize the text live. QMe saves it as a ratio of your normal size rather than a fixed point size, so a song set larger on the iPad is proportionally larger on the iPhone too, instead of overflowing the smaller screen. Pinch back to normal and the song goes back to following your default.
- Swipe left/right to change songs inside a setlist.
Section timeline & looping
Right edge of the teleprompter
A rail of every section, tap one to jump there. The ⟳ loop button lets you pick a start and end section and loop the range for practice. With an Apple Music track playing, long-press a section to stamp its exact time (or use tap mode to mark a whole song in one pass, and fill to estimate the rest) so section jumps seek the audio precisely.
Count-in
Settings panel → Count-in
A one- or two-bar count with clicks, haptics, and a big on-screen countdown before the scroll starts, lyrics stay readable behind it. When you’re recording, the count runs silently so clicks never end up on your take.
Recording takes
Teleprompter → ⏺
Three options: Audio Only, Video, You (front camera with a lyrics overlay), or Video, Audience View (back camera). A live mic meter shows your level; stopping opens a save sheet where you name the take or discard it. Takes land in the Takes tab.
Practice with the record: Apple Music & backing tracks
Teleprompter → 🎵 source menu
Link a song to its Apple Music track, or attach a local audio file as a backing track PRO, which is more reliable than streaming on stage and becomes the default source for that song. Press play and QMe plays the audio while locking the lyrics to the playback position. A “Bluetooth Audio” pill appears when sound is routed to Bluetooth.
Why this is the fastest way to learn a song
You hear the original and read the chart at the same time, and the words are always where the singer is. No guessing at a tempo, no scroll drifting out of time while you are trying to learn the changes.
- Loop the part you keep missing. Long-press a section on the right-hand rail to loop it. The music loops with you, so you can run the bridge ten times without touching anything.
- Mark where sections start. While the track plays, press and hold each section as it begins. QMe stores the exact second, and from then on it paces the song from those marks. That is what holds the lyrics still through a long instrumental intro instead of scrolling away before anyone sings. See Instrumental intros and solos below.
- It carries over to the gig. The same link means the lyrics cannot drift on the night, because the audio is driving them rather than a tempo estimate.
Practising without the band? A backing track and a linked Apple Music song behave the same way in the teleprompter. Use Apple Music to learn from the original, and a backing track for the version you actually perform.
Edit lyrics without leaving the stage
Teleprompter → ⊞ → Edit Lyrics
A full editor opens over the prompter and returns you to the same spot. It includes an AI Lyric Assistant: “write a chorus”, “add a bridge”, or your own prompt, with suggestions you can insert in one tap.
BPM and the Capo Calculator
Long-press ♩ · settings panel → Capo Calculator
Set BPM by typing, tapping the tempo out, choosing a preset, or looking it up online in-app. The Capo Calculator takes the song’s key and shows what shapes to play at every capo fret, starring the positions that land on easy open chords.
QMe is free to download. A new account gets 30 days of full access, no card required.
Download QMe Prompter